Fine silver lace

cotton lace, cork clay
The raw materials: cotton lace and cork clay

My friend Susan Shahinian was kind enough to demonstrate how to create fine silver lace using silver metal clay paste.

cutting fine silver lace
Susan cuts the greenware fine silver lace

With great weather, a nice local farmer’s market nearby, and views of the Golden Gate Bridge from the meeting room, members of our local guild watched and learned from Susan. She started with cloth lace and finished by placing ‘greenware’ metal clay lace onto a hollow form.

Susan assembles a fine silver bead using greenware lace
Susan creates a fine silver lace bead using greenware lace

You can see more of Susan’s work, including her handmade glass beads, at her website.

Wire Figures, Part 1: Piranha Skull

Piranha Skull Sculpture Stainless Steel & Brass
Piranha Skull Sculpture Stainless Steel & Brass

Last Spring I took a weekend wire sculpture workshop from Thomas Hill at Scintillant Studio, and almost completed a wire outline of a piranha skull. I posted a picture of the skull and the work in progress here.

Piranha Skull
Piranha Skull

A friend of Tom’s had given him a piranha skull they’d found. The skull was one of many that he uses to teach students how to concentrate on the outlines of figures. The first exercise was to draw the skull as an outline.

Piranha Skull and Pileated Woodpecker Drawings
Piranha Skull and Pileated Woodpecker Drawings

We then made some joins using steel wire fragments to practice the techniques we’d be using to connect the wires in our sculptures.

Stainless Steel Wire Joins & Shapes
Stainless Steel Wire Joins & Shapes

We created our first wire sculpture of the skull we’d chosen and drawn.

Chi ha paura…? and droog

Chi ha paura...? statement by co-founder Gijs Bakker
Chi ha paura…? statement by co-founder Gijs Bakker

Chi ha paura…? means “Who’s afraid…?” in Italian, and is a message about the fear artists have of creating non-traditional contemporary jewelry.

Looking in the window of the San Francisco Museum of Craft + Design at the Chi ha paura...? exhibit
Looking in the window of the San Francisco Museum of Craft + Design at the Chi ha paura…? exhibit

If you have a chance to hear Gijs Bakker speak, you’ll enjoy it. He discusses his start in design, the beginnings of droog and Chi ha paura…? and shows pictures from his early life all the way to the present.

Gijs Bakker at the San Francisco Museum of Craft + Design
Gijs Bakker (seated) at the San Francisco Museum of Craft + Design

To see more images of the jewelry on exhibit, visit the Chi ha paura…? website

Photos of Fabergé boxes were used in these display stands for part of the exhibit. Notice the music stand like bases.

Faberge images Jewelry display cases
Fabergé box images used for jewelry display cases

A line of text around one of the museum’s rooms shows a quote by Bakker:

Gijs Bakker quote on jewelry design
Gijs Bakker quote on jewelry design

“…the piece of jewelry must be designed as a means of communication. We want to bring about wonder surprise or amusement in a field, the jewelry field, which is still very classical and traditional.”

Gijs Bakker quote on jewelery design
Gijs Bakker quote on jewelery design

the Sense of Wonder:

sense of wonder; chi ha paura...?
Sense of Wonder

As Gijs Bakker signed a book for me, I spoke to him about a light fixture I’ve been oogling for years, 85 Lamps by Rody Graumans (sold by droog), which he told us is coming out soon with LED bulbs. The power required by the award winning 85 lamps design is high, and will be much lower with the LED version. Unfortunately at this time the price of LED bulbs is much higher than traditional bulbs, a constant trade-off faced by those adopting new technologies. The lifetime of LED bulbs is much higher than incandescent bulbs, so changing out one of the 85 bulbs will be required much less often. And, that’s always a plus in a chandelier.

Electroforming – Part 1

Electroformed etched glass and organic objects, and objects to be electroformed
Electroformed etched glass and organic objects, and objects to be electroformed. Artist: Susan Shahinian

My friend Susan Shahinian was kind enough to give an in depth demonstration of electroforming to the local metal clay guild, her second time doing so. When I saw the first demo I didn’t take many pictures; this time I did. And, I took note of the equipment needed to electroform, so this first post is dedicated to sharing that information. Note that these lists are short and there are many places who sell equipment and supplies for electroforming.

The priciest piece of equipment you’ll probably want is a bench DC power supply with which you can vary the current and the voltage to the piece you are electroforming. The power supply is also known as a ‘rectifier’ or ‘linear variable power supply’ or ‘full wave rectifier’ or ‘variable bench power supply’. You can find instructions to make your own AC to DC converter. Off-the-shelf units, such as the one in the photo below, make it easier to get started as they are already built and tested.

Susans bench rectifier
Susan's bench rectifier

Rectifier Suppliers

  • Marlin P. Jones & Assoc, Inc
  • Shor International sells rectifiers separately and within a full electroforming kit
  • Caswell Inc has a web tool for figuring out current, and thus rectifier, requirements based on metal and size
  • Delta One Lapidary
  • Dalmar Professional Models – their web page explains what a rectifier is and how it works
  • Mastech – thanks to my friend Mona Clee who gave me the name of this northern California manufacturer
  • Wierd Stuff is a great place to find “as-is” electronic components and overstock items
  • Dalmar has good information on rectifiers they and others sell
  • Contenti sells rectifiers as well as electroforming accessories, and consumables for electroforming

Plating Solutions (in addition to the suppliers above who also sell the solutions)

Water based conductive paint for copper plating
Water based conductive paint for copper electroforming

Conductive Coating Suppliers

Online Forums and Resources for Assistance with Electroforming Issues

Kits

Tips and Troubleshooting

Books on Electroforming

Radiators Reworked into Wearable Art

Edith Sommers sporting her radiator parts hat
Edith Sommers sporting her radiator fins hat

Edith Sommers recently shared her use of radiator parts in a lecture at the November meeting of the Metal Arts Association of Silicon Valley.

Radiator parts belt and sash (w/ sterling silver kashi beads) and radiator
Radiator fins belt and sash (w/ sterling silver beads) and radiator

She kindly brought many examples of radiators, fins from radiators, and pieces she has created with radiator fins. Edith thoroughly cleans her donated radiators before creating her wearable radiator art.

Radiators are manufactored with a wide variety of patterned components
Radiator fins are manufactored with a wide variety of patterned components. 

Edith obtained some new fins from a radiator manufacturer once, and the parts have a beautiful wave pattern. Note that unless they are new, radiator parts have lead on the brass and sometimes copper section, and the black on the parts is often an asphalt based paint in addition to copper oxidation. So, wear appropriate safety equipment if you plan to purse radiator art. Here’s a link to a video showing how some radiators are made.

New radiator parts from manufacturer
Closeup of new radiator fins direct from manufacturer

Upcoming Artists’ Reception

Artists Reception for Fran Grinels and Sherry Cordova Lireille Gallery, Oakland, CA

Emerging art jewelers Fran Grinels and Sherry Cordova are very excited to be the featured artists at an artists’ reception in Lireille Gallery of Contemporary Jewelry and Art at 3980 Piedmont Ave, Oakland, CA on Friday August 7th, 2009.

Sherry Cordova and Fran Grinels will be at Lireille from 5:30 to 8:30 pm along with finger foods, wine and people enjoying the Oakland First Friday Artwalk. Come meet the artists and talk to them about their newest work, their inspirations, and help them celebrate their first ever gallery artists’ reception. While you’re there take a look at the wide variety of art jewelers’ works at Lireille.

Inside the Lireille Gallery of Contemporary Jewelry and Art
Inside the Lireille Gallery of Contemporary Jewelry and Art
Lireille Gallery, 3980 Piedmont Ave, Oakland CA at the corner of Monte Vista Ave
Lireille Gallery, 3980 Piedmont Ave, Oakland CA at the corner of Monte Vista Ave

Lireille is located near the corner of Piedmont and Monte Vista Avenues, kitty corner from a Wells Fargo Bank. Behind the bank the city has provided a parking lot, or take a look on the nearby streets for a spot.

Sherry Cordova will be showing new work in her “Oceanic line” which was inspired by a recent SCUBA diving trip to Loreto, Baja California Sur.

Swirling Schools and Reflections pieces in process
“Swirling Schools” and “Reflections” pieces in process by Sherry Cordova

Fran has created some very cool ‘mobius’ rings which she will be showing in addition to other work already at Lireille as seen below.

Fran Grinels jewelry on consigment at Lireille Oakland, June 2009
Fran Grinels jewelry on consigment Lireille Gallery, Oakland, June 2009

In addition to works for sale, both artists will be showing some pieces from their own private collections.

Modern Frills Trio by Sherry Cordova, Private Collection of Sherry Cordova
“Modern Frills” Trio by Sherry Cordova; Fine and Sterling Silver, Garnets, White Topaz; 2007 Finalist, Silver Category, Saul Bell International Design Award Competition; Private Collection of Sherry Cordova
Diamonds in the Rough Gold, raw diamonds Private collection of Fran Grinels
“Diamonds in the Rough”by Fran Grinels; 22 kt Gold, Raw Diamonds; Private collection of Fran Grinels

For more information, visit Lireille.com, SherryCordova.com, or FranGrinelsDesign.com

 

Lireille Gallery of Contemporary Jewelry and Art
Lireille Gallery of Contemporary Jewelry and Art

Art Jewelry in the News

Friend and fellow jewelry artist, Fran Grinels, loaned me two interesting articles on art jewelry from this week and last December. The Economist’s “Golden Globes” article focuses on the trend, galleries, artists and shows in the Netherlands. The second article in the Seattle Times “Pacific Northwest” Sunday magazine focuses on the large art jewelry community of artists, gallerists, and collectors in the Seattle area.

I enjoyed reading the articles and am happy that interesting contemporary jewelry is getting some good press.