Underwater Marvels Propel My Art
In order to finish my piranha and woodpecker wire sculptures, I need to modify some pliers so they don’t scratch up the steel wire.
Pliers before modification
Pliers after the teeth were filed off the inside the the jaws.
And, while I’m taking pictures of tools, here’s a look at my chasing and repousse’ tools in process
I practiced bead setting for the first time on this 20 x 20 x 18 mm sterling silver box. I’d cast the box years ago just to see if I could, then came up with the idea of setting tiny stones randomly all around it. As they often do, the idea morphed into different sizes and types of stones. I ended up using 2.25 – 3 mm sapphires, peridots, and aquamarines instead of garnets as originally planned.
While I was polishing up the box, I also polished up the white topaz earrings I flush set last month. The larger oval stones require much more force to flush set than 3mm round stones! Below is a picture of the earrings before the sterling silver was polished.
Next: I’ll finish my piranha skull. The Menlo Park Library will be featuring work from the members of the Metal Arts Association of Silicon Valley. I submitted four necklaces for the show and was asked if I have any larger work to add. The 13″ tall wire skull outline I started making in Tom Hill’s wire sculpture workshop should do the trick. Below is the 3″ high shellaced skull which was used as a visual guide.
Stop by the library to see the exhibit any time in the month of June. The display case flanks both sides of the lobby entrance sidewalk before the doors; so you can view all the metal artwork 24/7.
