Underwater Marvels Propel My Art
I took a few pairs of earrings, disassembled them, and reassembled parts into these prototype earrings. My idea is to have smaller square wire jump rings on the earring frames which are currently sitting on the workbench ready to be filled. Flexible, swinging earrings similar to these prototypes are one version I’m mulling, and another version would use handmade fancy wire to hang the filigree oval and circles into set configurations.
Video taken on the dive that inspired the “Swirling Schools” necklace and earring designs.
After setting oval white topaz stones in a new earring design, I decided to also set blue topaz and garnets in the same design; and to make a pendant with one of those stones in the ‘same’ design.
So, I treed up some waxes after adding more of the little ball features onto the wax earring form. Adding more was a necessary step, since the four of the balls kept coming off during the wax removal from the mold.
Using a cut disc I’m removing the cast sterling earring forms from the tree one-by-one. The earrings will need to be custom fit for each stone, and the earring backs and pendant bail will be soldered on.
In order to make an 18kt gold version of the white topaz earrings, I am recarving the waxes so that I can minimize the use of metal. The original earring forms were made to be large enough to custom fit different oval stones by grinding away sterling silver to be recycled later. A one mold fits most approach.
The gold wax forms will be custom fit for two specific stones; so I’m basically remaking the earrings from scratch. It’ll be nice to incorporate in wax the things I’ve learned about creating the stone seat and fitting the stone for a nice flush setting.
I practiced bead setting for the first time on this 20 x 20 x 18 mm sterling silver box. I’d cast the box years ago just to see if I could, then came up with the idea of setting tiny stones randomly all around it. As they often do, the idea morphed into different sizes and types of stones. I ended up using 2.25 – 3 mm sapphires, peridots, and aquamarines instead of garnets as originally planned.
While I was polishing up the box, I also polished up the white topaz earrings I flush set last month. The larger oval stones require much more force to flush set than 3mm round stones! Below is a picture of the earrings before the sterling silver was polished.
Next: I’ll finish my piranha skull. The Menlo Park Library will be featuring work from the members of the Metal Arts Association of Silicon Valley. I submitted four necklaces for the show and was asked if I have any larger work to add. The 13″ tall wire skull outline I started making in Tom Hill’s wire sculpture workshop should do the trick. Below is the 3″ high shellaced skull which was used as a visual guide.
Stop by the library to see the exhibit any time in the month of June. The display case flanks both sides of the lobby entrance sidewalk before the doors; so you can view all the metal artwork 24/7.
My recent experience in a chasing and repousse’ cuff bracelet workshop was very enjoyable. Davide Bigazzi is a great instructor; the three of us all learned a lot and two of us walked away with bracelets that were almost done. The other Sherry in the workshop finished hers!
I spent the day after the workshop finishing mine. Sawing, filing, and finishing … here it is:
A fresh iteration of the “Bottleneck” ring design. All peridots. Four flush set and one prong set. The ring is ‘fresh’ because it’s less than 2 hours old. 🙂
Please pardon the hot spots and other issues with the photos. I’ll take a nice photo for the website someday….
